Sternbilder der Antike. Die sogenannte ‘Aratea’ des Germanicus und andere Texte. MS 735C. Aberystwyth, National Library of Wales, Kommentar zur Faksimile-Edition = Images of the Ancient Heavens. The ‘Aratea’ ascribed to Germanicus and other Texts. MS 735C. Aberystwyth, National Library of Wales, Commentary to the Facsimile Edition with Latin editions with English translations of the Texts, Luzern : Quaternio, 2019.
‘An Early Renaissance View of the Heavens: Text and Image in Domenico Bandini’s De celo et signis celestibus’ in Götterhimmel und Künstlerwerkstaat. Perspektiven auf die Kunst der italienischen Renaissance, eds. Julia Dellith, Nadja Horsch and Daniela Roberts, Leipzig: Leipziger Universitätsverlag, 2019, pp. 33-65.
‘The Latin Aratea and their “Fellow Travellers”’ in The Stars in the Classical and Medieval Traditions, eds. Alena Hadravová, Petr Hadrava and Kristen Lippincott, Prague: The Institute of Czech Academy of Sciences/Astronomical Institute of the Czech Academy of Science/ Scriptorium, 2019, pp. 271-359 (part 1 = pp. 271-315).
‘The Latin Aratea and their “Fellow Travellers”’ in The Stars in the Classical and Medieval Traditions, eds. Alena Hadravová, Petr Hadrava and Kristen Lippincott, Prague: The Institute of Czech Academy of Sciences/Astronomical Institute of the Czech Academy of Science/ Scriptorium, 2019, pp. 271-359 (part 2 = pp. 316-59).
(rev.) Cosmos: The Art and Science of the Universe, by Roberta J.M. Olson and Jay M. Pasachoff, London: Reaktion Books, 2019 and Universe. Exploring the Astronomical World, London and New York: Phaidon, 2019 in Journal for the History of Astronomy, L, 4, 2019, pp. 483-85.
(rev.) Dieter Blume, Mechthild Haffner and Wolfgang Metzger, Sternbilder des Mittelalters. Die gemalte Himmel zwischen Wissenschaft und Phantasie: Band I. 800 - 1200 (2 vols.), Berlin: Akademie Verlag, 2012 and Band II: 1200-1500 (3. vols.), Berlin/Boston: De Gruyter, 2016.
Hyginus, Michael Scot (?) and the tyranny of technology in the early Renaissance in Certissima signa, in A Venice Conference on Greek and Latin Astronomical texts [Antichistica 13 / Filologia e letteratura 2], ed. by Filippomaria Pontani, Venice: Edizioni Ca Foscari, 2017, pp. 213-64.
‘The early reception of the Farnese Atlas: an addendum to Bober & Rubinstein’s Renaissance Artists and Antique Sculpture’ in Schifanoia [Scritti in ornore di Marco Bartozzi … quicum omnia audeas sic loqui ut tecum], eds. Stefano Caroti, Angela Ghinato and Manuela Incerti], 52-53, 2017, pp. 227-38.
‘Reflections on the Farnese Atlas. Exploring the scientific, literary and pictorial antecedents of the constellations on a Graeco-Roman globe’ in The Imagined Sky. Cultural perspectives, ed. Darrelyn Gunzburg, Sheffield: Equinox Press, 2016, pp. 55-86.
(rev.) Antiche stelle a Bisanzio. Il codice Vaticano greco 1087 [Seminari e Convegni, 32], eds. Fabio Guidetti and Anna Santoni, Pisa: Edizioni della Normale, 2013 in The Journal of the History of Astronomy, XLVI, 2, pp. 249-50.
‘Exploring differing notions of scholarship in the eleventh century: the two earliest manuscripts of Hyginus’s De Astronomia’, Source. Notes in Art History, XXXIII, 3, 2014, pp. 11-18.
‘Rubens, Peiresc and the Birth of Marie de Medicis’, Renaissance Studies in Honor of Joseph Connors [Villa I Tatti Series], eds. Machtelt Israels and Louis A. Waldman, Cambridge MA: Harvard University Press, 2012, pp. 563-70 and 939-41.
‘Additional thoughts about the construction of Francesco di Giorgio’s drawing of Atlas’, The Journal of the Warburg and Courtauld Institutes, LXXVI, 2013, pp. 179-201.
(rev.) Alexander Nagel and Christopher S. Wood, Anachronic Renaissance, New York: Zone Books, 2010 in The Burlington Magazine, CLIV, March 2012, p. 205.
‘A Chapter in the Nachleben of the Farnese Atlas: Martin Foulkes’s globe’, The Journal of the Warburg and Courtauld Institutes, LXXIV, 2011, pp. 281-99.
(English transl.) Sa Benie, The Last Rays of Brilliance. Stepping into the world of Qi Baishi’s late paintings, English transl by Hu Yuhuan and Kristen Lippincott, Beijing: Rongbaozhai Press and Prunus Press USA 2010.
‘The Problem with Being a Minor Deity: the Story of Eridanus’ in Images of the Gods. Papers of a conference in Memory of Jean Seznec (3-4 December 2004)[Warburg Institute Colloquia, XIV] , eds. Rembrandt Duits and François Quiviger, London: The Warburg Institute and Turin: Nino Aragno 2009, pp. 43-96.
(rev.) Alessandro Scafi, Mapping Paradise. A History of the Earth, London: The British Library, 2006 in The Burlington Magazine, CLI, no. 1272, 2009, p.181.
‘Between text and Image: Incident and accident in the history of astronomical and astrological illustration’ in L’art de la Renaissance entre science et magie [Collection d’histoire de l’art de l’Académie de France à Rome, 5], ed. Philippe Morel, Francesca Albertini and Virginie Schmitt, Paris: Somogy, 2006, pp. 3-34.
(ed.) Koenraad van Cleempoel, Astrolabes at Greenwich. A Catalogue of the Astrolabes in the National Maritime Museum, series ed. K. Lippincott, London and Oxford: National Maritime Museum / Oxford University Press, 2006.
‘Wereldtijd en de gescheidenis van het nu’ in Groot en klein verzet. Temporele ordening in Nederland, eds. Peter Sep and Marga Verheije, Amsterdam: De Bailie, 2004, pp. 11-21.
(ed.) Symbols of Time in the History of Art from late Antiquity to the Twentieth Century, eds. Christian Heck and Kristen Lippincott, Turnhout: Brepols, 2002.
‘Urania redux: An overview of Aby Warburg’s writings on art and astrology’ in Art History as Cultural History: Warburg’s Projects, ed. Richard Woodfield, Amsterdam: G+B International, 2001, pp. 151-82.
(rev.) Stephen Campbell, Cosmè Tura of Ferrara. Style, Politics and the Renaissance City, New Haven and London 1997 and Joseph Manca, Cosmè Tura. The Life and Art of a Painter in Estense Ferrara. Oxford 2000 in Renaissance Studies, XV, 4, December 2001, pp. 552-56.
‘Un gran pelago: the impresa and the medal reverse’ in Perspectives on the Renaissance Medal [Garland Series in the Renaissance, XI], ed. Stephen K. Scher, Garland / American Numismatic Society, New York 2000, pp. 75-96.
The Story of Time [exhibition catalogue, London, the National Maritime Museum,
1 December 1999 - 28 September 2000], London: Merrell Holberton, 1999 (translated into French (Flammarion), Spanish (Grijablo), Dutch (Sluyters), Korean (Pun-run-soop Publishing) and Hungarian (Perfekt).
‘Globes in Art. Problems of representation and interpretation’ in Elly Dekker, Globes at Greenwich. A catalogue of the Globes and Armillary Spheres in the National Maritime Museum, eds. K. Lippincott, P. van der Merwe and M. Blyzinsky, London and Oxford: National Maritime Museum / Oxford University Press, 1999, pp. 75-86.
‘Holbein’s Ambassadors: A re-examination of the scientific instruments’ (written jointly with Elly Dekker), The Journal of the Warburg and Courtauld Institutes, LXII, 1999, pp. 93-125.
‘Marking the Meridian. The Major Telescopes at the Observatory’ in The Old Royal Observatory, Greenwich. Guide to the Collections, London: National Maritime Museum, 1998, pp. 84-95.
(rev.) ‘Making and Meaning: Holbein’s Ambassadors’, National Gallery, London, 5 November 1997 - 1 February 1998 (catalogue by Susan Foister, Ashok Roy and Martin Wyld, London: National Gallery, 1997)’ in Renaissance Studies, XII, 4, 1998, pp. 545-50.
(rev.) Jo Allen Barnett, Time’s Pendulum: The Quest to Capture Time -- from Sundials to Atomic Clocks, New York 1998 in Nature, 2 July 1998, vol. 394, no. 6698, pp. 32-33.
(rev.) Pisanello. Le Peintre aux Sept vertus, Musée du Louvre, Paris 6 mai - 5 aôut and Museo del Castelvecchio, Verona, 7 settembre - 9 dicembre 1996; and Pisanello. Le Peintre aux Sept vertus [exhibition catalogue], ed. D. Cordellier, Paris: RMN, 1996 in Renaissance Studies, XI, no. 2, 1997, pp. 141-47.
(rev.) Laura Ackerman Smoller, History, Prophecy and the Stars: The Christian Astrology of Pierre D'Ailly, 1350-1420, Princeton 1994 in French History, XI, no. 2, 1997, pp. 215-16.
Entries for The Dictionary of Art, ed. Jane Shoaf Turner, London: MacMillan, 1996 (Antonio da Crevalcore, Baldassare d’Este, Francesco Benaglio, Antonio Cicognara, Francesco del Cossa, Ferrara: IV, ii: Palazzo Schifanoia, Guarino da Verona, Giovanni da Oriolo, Michele Pannonio, Ercole de’Roberti, and Cosimo Tura).
(Articles on Renaissance artists republished in the Encyclopedia of Italian Renaissance & Mannerist Art, ed. J. Turner, London: MacMillan, 2000, I, pp. 75, 99, 184, 372-73, 412-15, 511-12, 692; II, 1355-59 and 1637-42.)
‘The Art of Cartography in fifteenth-century Florence’ in Lorenzo the Magnificent: Culture and Politics [Warburg Institute Colloquia, 3], eds. Michael Mallett and Nicolas Mann, London: The Warburg Institute, 1996, pp. 131-150.
Astronomy, Dorling Kindersley/Eyewitness Science series, London (etc.) 1994 and 2004.
(translated into French, Portuguese, Italian, Malaysian, Greek and published in the US, Canada, Australia and New Zealand by Harper Collins)
‘Gli dei-decani del Salone dei Mesi di Palazzo Schifanoia’ in Alla corte degli Estensi. Filosofia, arte e cultura a Ferrara nei secoli XV e XVI [Atti del Convegno internazionale di studi, Ferrara, 5-7 marzo 1992], ed. Marco Bertozzi, Ferrara: Università degli Studi, 1994, pp. 181-197.
‘Mantegna and the Scientia of Painting’ in Mantegna and 15th-century Court Culture, ed. Francis Ames Lewis, London: Birkbeck College, 1993, pp. 45-55 and 117-19.
‘Raphael’s Astronomia: between Art and Science’ in Making Instruments Count. Essays on Historical Scientific Instruments presented to Gerard L'Estrange Turner, eds. R.G.W. Anderson, J.A. Bennett and W.F. Ryan, Aldershot Hampshire: Variorum, 1993, pp. 75-87.
(rev.) Derek Howse and Norman J.W. Thrower, A Buccaneer’s Atlas: Basil Ringrose's South Sea Waggoner. A Sea Atlas and Sailing Directions of the Pacific Coast of the Americas, 1682, Berkeley CA and London, 1994 in Annals of Science, LI, 1992, pp. 564-65.
‘Pegasus und seine himmlischen Gefährten im Wandeln der Zeiten’, Pegasus und die Künst [Katalogbuch für Aufstellung im Museum für Kunst und Gewerbe Hamburg, 3 April - 31 mai 1993], eds. Claudia Brink and Wilhelm Hornbostel, Munich: Deutscher Kunstverlag, 1993, pp. 36-45.
English transl. Pegasus and the Arts, transl. by Elizabeth Clegg, Eileen Martin, et. al., Munich: Deutscher Kunstverlag, 1993.
(rev.) Raffaella Castagnola, I Guicciardini e le scienze occulte. L’oroscopo di Francesco Guicciardini. Lettere di alchimia, astrologia e Cabala a Luigi Guicciardini [Testi e studi/ Istituto Nazionale di Studi sul Rinascimento, 19], Florence: L. Olschki, 1990 in Annals of Science, L, 1993, pp. 97-98.
‘Chaos and the Egg: New Evidence from a fifteenth-century Bolognese Altarpiece’ in Il luogo e il ruolo della città di Bologna tra Europa continentale e mediterranea [Atti del Colloquio Comité International d'Histoire d'Art], eds. Andrea Emiliani and Giovanna Perini, Bologna: Nuova Alfa, 1992, pp. 135-46.
‘I decani di Schifanoia e la ricostruzione artistica di Maurizio Bonora’ in Lo zodiaco del Principe. I decani di Schifanoia di Maurizio Bonora [Catalogo di mostra, Palazzo Schifanoia, Ferrara, 5 settembre al 30 novembre 1992], Ferrara: Maurizio Tosi, 1992, pp. 15-21.
(rev.) Andrea Mantegna: Painter, Draughtsman and Printmaker of the Italian Renaissance, Exhibition at the Royal Academy of Arts, London (17 January - 5 April 1992) ... by S. Borsch, K. Christiansen, D. Ekserdjian, C. Hope, D. Landau and others, Andrea Mantegna, ed. J. Martineau, London and New York, 1992 in Renaissance Studies, VI no. 3-4, 1992, pp. 428-33.
‘A Masterpiece of Renaissance Drawing: The Sacrificial Scene by Gian Francesco de’Maineri’, Museum Studies. The Art Institute of Chicago, XVII, no. 1, 1991, pp. 6-21.
‘Aby Warburg, Fritz Saxl and the astrological ceiling of the Sala di Galatea’ in Aby Warburg [Akten des internationalen Symposions Hamburg, 1990], eds. Horst Bredekamp, Michael Diers and Charlotte Schoell-Glass, Hamburg: VCH, Acta Humaniora 1990, pp. 158-67.
‘The Camera dello Zodiaco of Federico II Gonzaga’ (written jointly with Rodolfo Signorini), The Journal of the Warburg and Courtauld Institutes, LIV, 1991, pp. 241-47.
‘Giovanni di Paolo’s Creation of the World and the Tradition of the thema mundi in late-Medieval and Renaissance Art’, The Burlington Magazine, CXXXI, no. 1048, July 1990, pp. 460-68.
‘Two astrological ceilings reconsidered: The Sala di Galatea in the Villa Farnesina and the Sala del Mappamondo at Caprarola’, The Journal of the Warburg and Courtauld Institutes, LIII, 1990, pp. 185-207.
‘The Genesis and Significance of the fifteenth-century Italian Impresa’ in Chivalry in the Renaissance, ed. Sydney Anglo, Woodbridge SF: Boydell Press, 1990, pp. 49-76.
‘The Iconography of the Salone dei Mesi and the Study of Latin Grammar in fifteenth-century Ferrara’ in La corte di Ferrara e il suo mecenatismo, 1441-1598 [The Court of Ferrara and its Patronage], eds. Marianne Pade, Lene Waage Petersen and Daniela Quarta, Modena: Panini 1990, pp. 93-109.
(rev.) Mary D. Garrard, Artemesia Gentileschi. The Image of the Female Hero in Italian Baroque Art, Princeton 1989 in Renaissance Studies, IV, 1990, pp. 444-48.
‘The neo-Latin Historical Epics of the North Italian Courts: An examination of Courtly Culture in the fifteenth century’, Renaissance Studies, III, no. 4, 1989, pp. 415-28.
‘Gli affreschi del Salone dei Mesi ed il problema dell’attribuzione’ in Atlante di Schifanoia, ed. Ranieri Varese (Istituto di Studi Rinascimentale), Modena: Pannini, 1989, pp. 111-39.
(rev.) An Astrological Diary of the Seventeenth Century: Samuel Jeake of Rye, 1652-1699, eds. M. Hunter and A. Gregory, Oxford 1988 in History. The Journal of the Historical Association, LXXIV, no. 242, 1989, pp. 531-52.
(rev.) S.J. Tester, A History of Western Astrology, Woodbridge Sf 1987 in History. The Journal of the Historical Association, LXIV, no. 240, 1989, pp. 97-98.
(rev.) L'impresa di Alfonso II. Saggi e documenti sulla produzione artistica a Ferrara nel secondo Cinquecento, eds. J. Bentini and L. Spezzaferro, Bologna 1987 in Apollo, CXXVIII, no. 317 (ns), 1988, p. 70.
(rev.) ‘Mantegna’s Tarocchi’, Suites d’Estampes de la Renaissance italienne dite Tarots de Mantegna ou Jeu du Gouvernement du Monde au Quattrocento, by L. Beaumont-Maillet, G. Lambert and F. Trajani, Paris 1986 in The Print Quarterly, III, no. 4, 1986, pp. 357-60.
‘The astrological decoration of the Sala dei Venti in the Palazzo del Te’, The Journal of the Warburg and Courtauld Institutes, XLVII, 1984, pp. 216-22.
(rev.) ‘Robert Mapplethorpe: Retrospective at the ICA, London’ (written jointly with Tim Imrie) in British Journal of Photography, XLVII, 1983, pp. 1249-57.
![Hyginus, Michael Scot (?) and the tyranny of technology in the early Renaissance in Certissima signa, in A Venice Conference on Greek and Latin Astronomical texts [Antichistica 13 / Filologia e letteratura 2], ed. by Filippomaria Pontani, Venice: Edizioni Ca Foscari, 2017, pp. 213-64.](/assets/Uploads/Lippincott-16-Andromeda-thumb__FillWzIyNSwxNTBd.png)
![‘The early reception of the Farnese Atlas: an addendum to Bober & Rubinstein’s Renaissance Artists and Antique Sculpture’ in Schifanoia [Scritti in ornore di Marco Bartozzi … quicum omnia audeas sic loqui ut tecum], eds. Stefano Caroti, Angela Ghinato and Manuela Incerti], 52-53, 2017, pp. 227-38.](/assets/Uploads/bertozzi-thumb__FillWzIyNSwxNTBd.jpg)
![(rev.) Antiche stelle a Bisanzio. Il codice Vaticano greco 1087 [Seminari e Convegni, 32], eds. Fabio Guidetti and Anna Santoni, Pisa: Edizioni della Normale, 2013 in The Journal of the History of Astronomy, XLVI, 2, pp. 249-50.](/assets/Uploads/thumb-25__FillWzIyNSwxNTBd.jpg)
![‘Rubens, Peiresc and the Birth of Marie de Medicis’, Renaissance Studies in Honor of Joseph Connors [Villa I Tatti Series], eds. Machtelt Israels and Louis A. Waldman, Cambridge MA: Harvard University Press, 2012, pp. 563-70 and 939-41.<br />](/assets/Uploads/rubens-thumb-compressed__FillWzIyNSwxNTBd.jpg)
![‘The Problem with Being a Minor Deity: the Story of Eridanus’ in Images of the Gods. Papers of a conference in Memory of Jean Seznec (3-4 December 2004)[Warburg Institute Colloquia, XIV] , eds. Rembrandt Duits and François Quiviger, London: The Warburg Institute and Turin: Nino Aragno 2009, pp. 43-96.](/assets/Uploads/e-codicescsg-0250505medium__FillWzIyNSwxNTBd.jpg)
![‘Between text and Image: Incident and accident in the history of astronomical and astrological illustration’ in L’art de la Renaissance entre science et magie [Collection d’histoire de l’art de l’Académie de France à Rome, 5], ed. Philippe Morel, Francesca Albertini and Virginie Schmitt, Paris: Somogy, 2006, pp. 3-34.<br />](/assets/Uploads/aries-deltoton__FillWzIyNSwxNTBd.jpg)
![‘Un gran pelago: the impresa and the medal reverse’ in Perspectives on the Renaissance Medal [Garland Series in the Renaissance, XI], ed. Stephen K. Scher, Garland / American Numismatic Society, New York 2000, pp. 75-96.](/assets/Uploads/24alfons-thumb__FillWzIyNSwxNTBd.jpg)
![The Story of Time [exhibition catalogue, London, the National Maritime Museum, <br />
1 December 1999 - 28 September 2000], London: Merrell Holberton, 1999 (translated into French (Flammarion), Spanish (Grijablo), Dutch (Sluyters), Korean (Pun-run-soop Publishing) and Hungarian (Perfekt).<br />](/assets/Uploads/story-of-time-thumb__FillWzIyNSwxNTBd.jpg)
![(rev.) Pisanello. Le Peintre aux Sept vertus, Musée du Louvre, Paris 6 mai - 5 aôut and Museo del Castelvecchio, Verona, 7 settembre - 9 dicembre 1996; and Pisanello. Le Peintre aux Sept vertus [exhibition catalogue], ed. D. Cordellier, Paris: RMN, 1996 in Renaissance Studies, XI, no. 2, 1997, pp. 141-47.](/assets/Uploads/Pisanello-Borso-dEste-thumb-2__FillWzIyNSwxNTBd.jpg)
![‘The Art of Cartography in fifteenth-century Florence’ in Lorenzo the Magnificent: Culture and Politics [Warburg Institute Colloquia, 3], eds. Michael Mallett and Nicolas Mann, London: The Warburg Institute, 1996, pp. 131-150.](/assets/Uploads/ClaudiusPtolemy-TheWorld-thumb__FillWzIyNSwxNTBd.jpg)
![‘Der Behaim Globus’ in Glaube, Hoffnung, Liebe, Tod [exh. catalogue, Vienna, Kunsthalle, 14. Dezember 1995 - 31. Jänner 1996], Vienna: Graphische Sammlung Albertina, 1995, pp. 48-50. <br />
<br />](/assets/Uploads/behaim-globe-thumb__FillWzIyNSwxNTBd.jpg)
![‘Gli dei-decani del Salone dei Mesi di Palazzo Schifanoia’ in Alla corte degli Estensi. Filosofia, arte e cultura a Ferrara nei secoli XV e XVI [Atti del Convegno internazionale di studi, Ferrara, 5-7 marzo 1992], ed. Marco Bertozzi, Ferrara: Università degli Studi, 1994, pp. 181-197.](/assets/Uploads/e1994Glideithumb2__FillWzIyNSwxNTBd.jpg)
![‘Pegasus und seine himmlischen Gefährten im Wandeln der Zeiten’, Pegasus und die Künst [Katalogbuch für Aufstellung im Museum für Kunst und Gewerbe Hamburg, 3 April - 31 mai 1993], eds. Claudia Brink and Wilhelm Hornbostel, Munich: Deutscher Kunstverlag, 1993, pp. 36-45.<br />
English transl. Pegasus and the Arts, transl. by Elizabeth Clegg, Eileen Martin, et. al., Munich: Deutscher Kunstverlag, 1993.<br />](/assets/Uploads/Pagasus-thumb__FillWzIyNSwxNTBd.jpg)
![(rev.) Raffaella Castagnola, I Guicciardini e le scienze occulte. L’oroscopo di Francesco Guicciardini. Lettere di alchimia, astrologia e Cabala a Luigi Guicciardini [Testi e studi/ Istituto Nazionale di Studi sul Rinascimento, 19], Florence: L. Olschki, 1990 in Annals of Science, L, 1993, pp. 97-98.](/assets/Uploads/1993-Castagnolathumb1__FillWzIyNSwxNTBd.jpg)
![‘Chaos and the Egg: New Evidence from a fifteenth-century Bolognese Altarpiece’ in Il luogo e il ruolo della città di Bologna tra Europa continentale e mediterranea [Atti del Colloquio Comité International d'Histoire d'Art], eds. Andrea Emiliani and Giovanna Perini, Bologna: Nuova Alfa, 1992, pp. 135-46.](/assets/Uploads/egg-thumb__FillWzIyNSwxNTBd.jpg)
![<br />
‘I decani di Schifanoia e la ricostruzione artistica di Maurizio Bonora’ in Lo zodiaco del Principe. I decani di Schifanoia di Maurizio Bonora [Catalogo di mostra, Palazzo Schifanoia, Ferrara, 5 settembre al 30 novembre 1992], Ferrara: Maurizio Tosi, 1992, pp. 15-21.<br />](/assets/Uploads/bonora-thumb__FillWzIyNSwxNTBd.jpg)
![‘Aby Warburg, Fritz Saxl and the astrological ceiling of the Sala di Galatea’ in Aby Warburg [Akten des internationalen Symposions Hamburg, 1990], eds. Horst Bredekamp, Michael Diers and Charlotte Schoell-Glass, Hamburg: VCH, Acta Humaniora 1990, pp. 158-67.](/assets/Uploads/1991abywarburgthumb-2__FillWzIyNSwxNTBd.jpg)
![‘The Iconography of the Salone dei Mesi and the Study of Latin Grammar in fifteenth-century Ferrara’ in La corte di Ferrara e il suo mecenatismo, 1441-1598 [The Court of Ferrara and its Patronage], eds. Marianne Pade, Lene Waage Petersen and Daniela Quarta, Modena: Panini 1990, pp. 93-109.](/assets/Uploads/francesco-del-cossa-02-taurus-thumb__FillWzIyNSwxNTBd.jpg)
